After a successful revival as part of the Peter Hall season two years ago, Enjoy has gained a popularity hardly expected after an inauspicious premiere 30 years ago.

It is surreal, yet rooted in the very down to earth back-to-back community of Leeds which held to the values of past generations.

It has an honest vulgarity and the unmistakable Bennett humour produced like jewels from the mundane conversations of ordinary people with unremarkable lives.

At the centre are Wilf and Connie Craven – David Troughton and Alison Steadman – a retired couple in their back-to-back home, watching the inevitable progress of the bulldozers which will wipe out their old way of life forever.

Wilf is disabled from a hit and run accident 10 years earlier. Connie is losing her memory and much of the humour emanates from her confusion as to what is going on around her and Wilf’s impotent exasperation with her.

They suddenly find themselves the subject of an observation project by the council in a bid to try to recreate what made the old communities work, in the new flats they are about to move into, or so they are told.

In fact the Cravens are earmarked to be part of a museum, their old house moved brick by brick to a theme park and them with it.

Both actors have impeccable comic timing and Connie in particular develops a real empathy with the audience. We’re not laughing at them, but with them.

It’s very much an ensemble performance with not a weak link in the cast.

There is also a sub plot involving the couple’s daughter Linda (Josie Walker), supposedly a ‘personal secretary’ jet-setting around the world, and estranged son (Richard Glaves), which provides ever more bizarre situations.

It is an extraordinary drama and not to be missed.